1987 / Glass / 32 x 28 x 21 cm / Artist: Ramon Orlina / George Hodel collection

Ramon Orlina pioneered the use of glass as a sculptural medium. Naesa (ASEAN spelled backward) is one of the important series he did in glass after he completed a number of works in the ASEAN countries, particularly Singapore, where he has become well-known for his public sculpture. Most works in this series are abstract. In them arise linear rhythms and contrapuntal passages, centripetal and centrifugal trends moving inward into shell-like recesses or outward in open forms interacting with, as well as reflecting, the surrounding space. In these forms, of a remarkable integrity, takes place a lively interplay between transparent and translucent passages, polished and frosted surfaces, prismatic areas and smooth planes, long graceful movements and sharp, angular definitions.

From solid sculptural figures, he has created pieces with hollows and apertures with increasing technological demands. A variety of tones and hues have appeared, at first light green, later deeper bluegreens, although other hues, like reds, are rare. Some works bear figurative allusions, such as mother-and-child or lovers in embrace. The appeal is highly visual in the fluid convolutions of form and in the modulating tones of green, now lighter now darker, as the angles change with the light. The multiple layers of depth suggested by the interpenetrating chambers and the smooth crystalline surfaces also invite one to a precious tactile experience.